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Ilford: clac de fin (1/3)

Le site industriel d'Ilford Imaging à Marly, en Suisse romande.  © Nicolas Brodard

Entreprise mondialement réputée dans la photographie, Ilford Imaging a fait faillite en décembre 2013. Récit d'une chute.

 11 minutes de lecture

«Mes collaborateurs voulaient rallumer la machine et continuer le travail. Je leur ai dit non, on arrête tout. Tout le monde part à la maison.» Pierre Maudonnet était chef d’équipe chez Ilford Imaging. Cette entreprise suisse a fait faillite le 9 décembre 2013. Beaucoup s’y consacraient corps et âme depuis plusieurs décennies. Ils perpétuaient un savoir-faire unique. Pierre Maudonnet demeure calme en ce mois de février 2014, imperturbable, même lorsqu’il évoque ce «jour terrible». «C’est difficile de dire à des collaborateurs qu’il faut partir», reprend-il. Autour de lui, d’anciens collègues observent, écoutent. Pas un mot. Leurs mains cherchent leur menton, ou une tasse de café; quelque chose à toucher. Ils n’interrompent pas ce déferlement de mots empreints d’émotion.

Ils racontent un drame économique et humain. L'histoire de la descente aux enfers d'un joyau de l’industrie photographique. Connu et reconnu, du Japon aux Etats-Unis. Tous les artistes mondialement renommés couchaient leurs plus précieux clichés sur son papier. Et puis le vent a tourné, l’écran digital est arrivé. Les exigences de rentabilité ont changé. Ilford est devenue une machine surdimensionnée pour le marché qu’elle visait.

Thomas Dayer

by Thomas Dayer

Thomas Dayer, born in 1982 in Sion, was successively a journalist on his grandfather's typewriter (at 8 years old), then in the cultural section of the Nouvelliste, the sports section of Le Matin and Le Temps, the national and international sections of the Agence Romande de Presse, the launch of the start-up SEPT.info, and at L’illustré. After this initial career in journalism, he turned to public service.
Nicolas Brodard

by Nicolas Brodard

Born in Fribourg, Switzerland. Following his studies, he trained in photojournalism as an assistant and published his first works in the press. Deeply convinced that journalism models are bound to evolve both in content and form, he joined the School of Multimedia and Art of Fribourg to expand his knowledge in the fields of video, sound, web, and graphic design. Graduating in 2010, he periodically lives in Istanbul and regularly relocates to conduct reports and documentary work between Turkey, the Caucasus, and the Middle East.

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